It also finally delivers on some much-needed answers revolving around the coins and their ultimate purpose. The episode, aptly titled The Mirror, introduces us to a haunted mirror, a parallel universe and the Gospel of Judas.
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We had a good team onboard for this series that did iteration after iteration until they got the look right. That is a question posed by 30 Coins Episode 3. When it came to the characters, that was compositing. How do we manage to not get lost, because this is a Baroque hall, so everything is essentially the same?’ We set different camera projections for each mirror so we could work and modify them. For me, the first impression was, ‘This is cool. Season one premiered on the streamer on November 29, 2020, and concluded on. We started to look into that scene when we got the edit. You can catch season 2 of '30 coins' on HBO Max when it streams globally in 2023. “The hall of mirrors was one of my favorite locations. It was all achieved in CG.” Another key setting takes place in a hall of mirrors with every one of them leading to a different world. There was a lot of detail, design, and little pieces that we needed to get into that cathedral to make what Álex wanted. “We had the steps from a big square in Madrid and had to build everything else out. “Once we figured out what they wanted in concept, we had to get the whole idea of the environment ready,” explains Peralta. The underground cathedral was a CG-heavy environment. There was enough time to work on the pipeline we were looking for in pre-production.”
We built a different infrastructure of the studio with a faster network and bigger render farm. Our TDs fine-tuned various tools that we needed to start working on 30 Coins. We were able to work with him to organize the shooting so it gave us all of the plates and materials needed to deliver these huge number of shots. Álex knows about all of the processes involved with post-production and visual effects. Working with more or less 90 artists, visual effects coordinators and visual effects editors, and all of the stuff involved with the shoot, it was incredible traveling through the world imagined by Álex de la Iglesia as he has a very creative mindset. In the last episode, we have more than 400 shots. Long-time Iglesia writing partner Jorge Guerricaechevarra is co-writing, with De La Iglesia’s Madrid-based Pokeepsie Films co-producing. The series’ eight episodes will shoot this year in Spain. In the end, there were more than 2,000 shots. MADRID, Spain HBO Europe has greenlit production on a new series from famed Spanish genre director Alex De La Iglesia titled 30 Coins. “We spent 18 months working on it, and there was six months of shooting. “ 30 Coins was an amazing challenge,” states Basile. “Curro Muñoz, from Deluxe Spain, was the main visual effects supervisor who worked alone during the shooting and on most of the sequences in the show.” “Deluxe Spain managed all of the steps of the post-production process from dailies, color grading and editing,” remarks Dario Basile, Senior VFX Producer at Deluxe Spain. 30 Coins (2020) TV-MA Drama, Fantasy, Horror, Mystery, Thriller Watch options Official Trailer In a peaceful place, evil has found a home. Deluxe Spain was responsible for 80% of the visual effects, with Baraboom! Studios handling the previs, techvis, postvis and final creature animation.
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