The robe’s complex geometric patterns were thought to have talismanic qualities that protected the wearer.Ī katsugi is a woman’s mantle or coatlike veil, usually in the shape of a kosode, worn pulled over the head with the sleeves unused. Areas subject to heavy wear, such as around the neck, cuffs, and hem, were reinforced with appliqué as well. These now-faded cutouts of bright red and white were appliquéd onto ruunpe robes with vividly colored, decorative stitches.
The ground fabric, typically dyed a dark indigo, was embellished with additional cotton pieces usually taken from old Japanese clothing. One of the most striking types of Ainu robe is the cotton ruunpe. From their creative recycling of used fabrics, the Ainu people developed a distinctive style. However, cotton, which could not be grown in the region, was introduced through the extensive trade of used cotton clothing from central Japan, around the mid-Edo period (1615–1868).
#Kimono and kite cartoon skin#
Traditionally, garments of the Indigenous Ainu people from what is now northern Japan were made from the fur and skin of deer, bear, and other animals, as well as from salmon skin and, later, plant fibers. They carried spears (naginata) to defend the fleeing occupants (mainly other women) and patrolled the grounds. High-ranking samurai women, especially those living in the women’s quarter of Edo Castle, were trained to evacuate and assist people during fires. A matching plastron, or breastplate, and hakama pants would have completed the ensemble. The hood (zukin) indicates that this set was made for a woman, as male firefighters wore helmets. Five crests with a motif of three oak leaves, possibly the Yamauchi family crest, are depicted on the jacket. The quality of the gold-thread embroidery is excellent, with various gold couching techniques and French knots on the tassels, which are attached to the cords of the anchors. The dynamic composition refers to the processes of extinguishing a fire and pulling down smoldering buildings and also symbolizes security. The luxurious red wool (rasha) jacket worn by a high-ranking samurai woman on fire duty is extravagantly decorated with crashing waves, water droplets, and anchors. Atsuita robes with checks, geometric patterns, and Chinese motifs were worn mainly by male leads as undergarments, but this example was shortened and refashioned for a child’s role, probably after being damaged at the hem. Supplementary silk wefts were used to express the flowers and waves. This robe’s warp yarns were tie-dyed before they were woven, resulting in a blurry ikat pattern. Having drunk miraculous water from a stream where dewdrops had fallen from chrysanthemums, the boy becomes unaware of the passage of time and is freed from aging and infirmity. The pattern refers to the ancient Chinese legend of the Chrysanthemum Boy (Kikujidō) or the Noh play based on that story, which tells of a youth banished from court who spends centuries diligently copying a couplet from the Lotus Sutra, one of Buddhism’s most important scriptures, on chrysanthemum leaves. Green, orange-red, white, and brownish-purple blocks form a colorful, contrasting background for white chrysanthemums drifting on flowing water. While the precise meaning of the word remains unclear, it is used today to refer to a textile technique: stitch-resist dyeing and ink painting on a lightweight, plain-weave ground, often embellished with gold-leaf imprinting and embroidery. Translated literally as “flowers (hana) at the crossroads (tsuji),” the term evokes images of delicate blossoms amid pathways. The elegant poem card is mounted as a hanging scroll with tsujigahana silks. The poem, about the moon over the bay, reads: For additional information call 60.Kōetsu rendered the thirty-one-syllable court poem (waka) by Fujiwara no Teika (1162–1241), one of Japan’s greatest poets, on a light blue paper decorated with miscanthus grasses. The Phoenix Parks and Recreation Department’s Margaret T. The Japanese Friendship Garden will also be open for regular visits as well.
There will be Japanese food and drink, live music and dance performances for all to enjoy. Kids of all ages will marvel as Kite Master Tom Manson will be there with his stunt kites.
They can be brought from home, bought at the Festival or made on site. And new this year, children and adults will have the opportunity to attend an abbreviated tea ceremony, tour the garden and visit the “Dress Up” booth where children can get dressed up in kimono or martial arts costume and have their picture taken.
There will be two martial arts stage demonstrations – Swordmanship and Chanbarra. The festival will feature cosplay, a shortened term for “costume play,” where people dress up as characters from the comics, cartoons and science fiction.
#Kimono and kite cartoon free#
The Phoenix Japanese Friendship Garden will host a free Children’s Day and Kite Festival from 10 a.m.
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